Like, Share, Die is an American animated sketch comedy television series created by Mondo Media and broadcast on Fusion, premiering on January 29, 2015. Each 15-minute episode of the series features a number of short Flash cartoons created by Mondo Media, with recurring segments including Deep Space 69, Chick Figures, Couchmates, and Kung Fu Karl.

the script follows for 24 hours one of the greatest Hungarian poets, Sándor Petőfi and other radical youths who sparked the revolution.

万圣节周末，当一支啦啦队在一所废弃的学校里练习他们的日常活动时，他们被一个不知名的杀手一个接一个地带走了。

三位游戏发烧友在僵尸末日中身陷绝境，他们意识到必须运用自己的游戏技能来求生、营救朋友，并最终拯救世界。

演员Lennie James负责创作剧本并亲自主演，Nick Murphy担任导演，Stephen Graham和Suranne Jones参与演出。故事描述酗酒的男人Nelson “Nelly” Rowe（Lennie James）整天都埋在酒缸里，他经常和刚刚交往的女人睡在一起……而且很多时候他床上的女人都不止一位……甚至不止两位！他在生活中是个多面人：可爱的人、笨拙的人、投机的人、好斗的人、撒谎的人。在他这个年纪，男人早就该成家立业，但他却不愿跳出纸醉金迷的生活。有一天，他几乎未谋面的女儿突然失踪，他被指控为该案的主要嫌疑人。他被迫用一切手段来洗清罪名，找到真正的罪犯。他像是突然警醒了，他终于有机会抛开不负责任的过去，为自己的错误寻找救赎。至少，13年前曾和他有过「夏日恋情」的Claire（Suranne Jones）——也就是失踪女孩的母亲——会对他另眼相看!@www.kpw6.com

彼此相爱的Süreyya和Ramazan的爱情因Ramazan被指控犯了谋杀罪而终。两个恋人的道路将再次交汇。

该剧讲述了都市里一群积极、阳光的好友共居一室的温馨故事。剧中有阳光帅气的肌肉男高秦操，有温柔善良的斯文男谢可赞，有深谙时尚潮流的“娘炮”黄二宝，有贪吃怪比的“大脸猫”林小尊，也有野蛮恨嫁的女汉子宋一。这样一群有性格、有态度的年轻人聚集到一起，他们之间会碰撞出怎样精彩的火花呢，一屋子“赞客”们又会发生怎样令人捧腹的故事呢？

“We are one people.” This statement, central to Alice Diop’s film, was issued in 2015 by the French newspaper Libération following the attacks on Charlie Hebdo and the Hyper Cacher supermarket. Examining this premise, whose presence haunts the film, the filmmaker presents a sociological documentary essay that follows the RER B, a railway line that links the northern and southern suburbs of Paris. Along the way, she collects the stories and testimonies of their inhabitants, who come from a diverse range of geographical and socioeconomic backgrounds. This polysemic exploration brings together the innumerable life paths of this so-called “peri-urban” France, from the filmmaker’s own family to a series of characters she encounters along her travels: a Malian mechanic living in his car, a group of hunting enthusiasts, the numerous pensioners whom her sister looks after, and even the writer Pierre Bergounioux. This arresting cinematic gesture serves as a political response to the absence of "little lives" on our screens, “drawing them out of the obscurity in which they had been buried”.